F1 2023 - BRAKING POINT
REALTIME built on the success of the cinematics they created for the previous installment of the Braking Point story mode in F1 ® 21 by using state of the art, integrated 4D facial capture from Di4D during the motion capture shoot. This allowed us to encapsulate all the necessary character (physical, audio and spatial) data into a single performative instance.
Working closely with developer Codemasters on an hour of in-game career mode cinematics, my role in REALTIME Editorial was responsible for:
ensuring the integrity of sequence data from pre-vis and motion capture shoot to final delivery
communicating with vendors and stakeholders regarding changes to the script and run-time
Packing assets IN & OUT for multiple clients, contractors, asset delivery and sound design
mustering daillies (AM & PM) for creative review on latest round of renders
primarily using Adobe Premiere Pro for editorial and post-production
using After Effects to manage colour workflows from Unreal Engine to post for final delivery
applying environmental fx with spatial data baked in .EXR
delivering ProRes 422 HQX exports from path-traced, UHD, .EXR renders.
Callie Mayer joins Konnersport/Butler from F2, determined to add to the trophy cabinet with her natural, competitive talent.
Fan Favourite Devon Butler returned to Braking Point and was forced to deal with team in-fighting, his sister joining the family team and Aiden’s insatiable appetite for the title.